Deze Virtual Analog synth doet met zijn rechtop geplaatste bedieningspaneel sterk denken aan de Korg synths van weleer. De Radias heeft 49 toetsen en is 24 stemmig polyfoon. Verder 16-stemmige vocoder, arpeggiator, 8-sporen step sequencer, effecten, 256 programs, 32 drumkits.
Past, present, and future come together in one thrilling instrument that is every synthesist’s dream.
With
a bold new approach that is at once both daring and familiar, RADIAS
exceeds common analog expectations and rapidly takes off for uncharted
territories.
Based on Korg’s cutting-edge MMT engine, this
24-voice synthesizer offers a variety of synthesis algorithms together
with multiple effects, new comb filter and wave shaping features,
modulation sequencing, as well as new formant-motion vocoding.
RADIAS
offers an innovative design that can be custom configured to suit your
set-up. The control module can be used independently or teamed with the
unique dedicated keyboard, creating a seamlessly integrated instrument
that delivers the sounds of the future – today.
Innovative synthesis teamed with remarkable fidelity
The
heart of RADIAS beats with Korg’s cutting-edge MMT (Multi Modeling
Technology) synth engine, and borrows much of its modeling techniques
from Korg’s flagship OASYS – eliminating aliasing noise in even the
highest frequencies and delivering clean, pure waveforms.
RADIAS
provides two oscillators for each timbre. Between them, they deliver
not only modeled analog waveforms, but also formant waveforms, noise,
ring modulation, sync, plus both classic and up-to-date PCM waveforms.
When using the analog modeled waveforms, a variety of oscillator
modulation algorithms – including pulse-width modulation, a massive
Unison mode, Korg’s proprietary VPM (Variable Phase Modulation) or
cross modulation – can be used to create complex sounds, even from a
single oscillator.
RADIAS provides a dual-filter structure,
allowing the two filters to be used individually, side by side, or in
series for maximum versatility. Filter 1 is highlighted by a
continuously variable multi-mode filter, embracing Low Pass, High Pass
and Band Pass modes – and new treatments in between. This dual filter
arrangement provides a vast range of sounds that would be unimaginable
from just a single filter, and opens up new sonic possibilities
including some fantastic comb filtering.
Three Envelope
Generators (EG) are used to apply time-varying changes to the pitch,
filter cutoff, and amp level, as well as many other parameters. The
classic and intuitive four-stage ADSR design has been enhanced with
five different attack and release curves, allowing the EG contours to
be crafted with new levels of precision and articulation.
Two
LFOs are available to apply cyclic changes to a host of synth
parameters. Six LFO waveforms are provided, including the popular
“Sample & Hold” stepped wave. Each waveform can be extensively
modified via the Shape control, greatly expanding the versatility of
the LFO section for creating highly complex types of modulation.
Adding Drive can
produce the distinctive warmth of a true analog synthesizer and can
also distort the sound intensely to generate new overtones. The amount
of Drive is dependent on the level of each voice as it enters the
mixer, so you can create nuances that cannot be achieved by an external
effect unit.
RADIAS offers eleven innovative types of Wave
shaping – even recreating the tonal character of an electromagnetic
pickup. The Drive/Waveshaping circuit can be placed in different
locations in the signal chain, affecting the sound in very meaningful
ways. An additional Punch Level setting emphasizes the attack portion
of the sound, letting you create sounds with even more impact. Clearly,
this is a radical new instrument that is not bound by conventions of
the past!
Dynamic modulation station
Three
Modulation Sequencers can change a parameter’s value in discreet steps
over time, similar to using sequencing control voltages (CV) on analog
synthesizers of the past. The value of each step can be edited in real
time using the front panel knobs. Each Mod Sequence can be up to
sixteen steps long, and each can play forwards, backwards, loop, etc.,
allowing you to create very detailed filter and panning changes or
complex and evolving timbres that build over time.
The six
virtual patches are modern versions of the patch cords found on Korg’s
classic PS and MS series of synthesizers, among other legends of the
past. Going beyond the hardwired limits of a normal voice structure, a
virtual patch provides a method for freely connecting any of fifteen
modulation sources to any of fifteen destinations, accommodating even
the most advanced modulation routings.
Two audio input
jacks and an internal envelope follower allow external audio sources to
be processed, to be used as a modulation source, and even trigger the
RADIAS. A powerful internal bus structure allows Timbres to be routed
to trigger effects, the built-in vocoder, or as modulation sources for
the step-sequencers.
Formant motion vocoding keeps things moving
Thanks
to the included headset microphone, you can enjoy vocoding – using your
voice to modulate another sound – the instant the idea strikes you,
with the push of a single button. RADIAS provides a sixteen-band
vocoder that allows the level and pan of each band to be individually
adjusted to obtain a wide range of sounds, above and beyond the
distinctive talking music and “robot voice” effects.
Our new
Formant Motion function can record up to 7.5 seconds of incoming
formant information (spoken words, scat singing, etc.) so that you can
re-create vocoder effects even without a microphone present. Sixteen
sets of recorded formant data can be stored in the internal memory.
Powerful program parameters
RADIAS’
effect section provides a two-band EQ and two insert effects for each
timbre, plus a master effect for the complete program, delivering a
total of nine possible simultaneous effects. Thirty effect algorithms
are provided, ranging from delay, chorus, and reverb to compressor and
talking modulator. You can assign any effect parameter to the front
panel knobs for instant control, providing even more versatility in
sound design.
Arpeggiator settings can be made for each program
individually, and the arpeggiator can be applied to any or all of the
timbres in a program. Six types of arpeggiator patterns are provided.
Patterns can be up to 32 steps long; the gate time, velocity, and
on/off status can be set for each step individually to create the exact
groove you want. Swing amount and octave range are also assignable for
even more detailed control.
Two step
sequencers can record and play back performance data, each with up to
32 steps. By applying a step sequencer to a drum kit, you can use
RADIAS as a programmable drum machine. Each step supports up to eight
notes of polyphony, allowing the creation of dense sequenced passages
and patterns that can be played back with just one finger. With
sequence editing, you can adjust settings such as swing and gate time.
The two step sequencers can be set to transpose live from the keyboard,
and can also be linked to create a single step sequencer of up to 64
steps.
The best sounds around
RADIAS
comes loaded with 256 programs, 32 drum kits, and 16 formant motion
sets, all created by an international team of synth experts. A program
can consist of up to four complete timbres, and each timbre can be
assigned its own note range, output, MIDI channel and control
parameters, allowing your RADIAS to perform as a multitimbral module –
or one monster performance synth.
Each drum kit consists of
sixteen different drum or percussion instruments assigned to separate
keys. In addition to calling up an individual PCM drum waveform, each
drum instrument uses all of the parameters in the synth section, such
as filter, EG, LFO and virtual patches to create incredibly detailed
sounds.
To speed up the sound creation process, RADIAS includes
templates that can be used as “starting points;” and you can begin your
own customization from there. RADIAS provides template data for 128
synth timbres, 128 insert effects, and 128 master effects so you can
create new sounds faster than you ever thought possible.
And
as easy as RADIAS is to use, you’ll also appreciate the free RADIAS
Sound Editor/Librarian software for editing, managing and archiving
your RADIAS settings on your computer (Mac or PC). A single USB
connection makes transferring data quick and easy.
New shape, new possibilities
You
can choose the RADIAS model that’s right for you; RADIAS consists of a
sound module section plus a dedicated 49-note, velocity-sensing
keyboard with traditional Pitch and Mod wheels. The panel layout
features a lavish complement of knobs and buttons, letting you enjoy
the same intuitive feel of creating sounds as on an analog synthesizer.
The unique design allows the knob-laden control module to pivot up or
down, and even move to the side to accommodate a laptop computer,
ElecTribe, KAOSS Pad or other audio unit. RADIAS•R is the sound module
by itself, which can be used both as a rackmount or tabletop
synthesizer.
Synthesizers 